By Gustave Flaubert
Phantasmagoric
I worship God, I assure you I believe in a Supreme Being, a Creator. Whoever he is -- and what difference does it make? -- he put us here on earth to fulfill our duties as citizens and parents. But I don't have to go into church and kiss silver platters and hand over my money to fatten up a lot of rascals that eat better than you and I! To him, one can do full honor in a forest, a field -- or merely gazing up at the ethereal vault, like the ancients. My God is the God of Socrates, of Franklin, of Voltaire, of Béranger! My credo is the credo of Rousseau! I adhere to the immortal principles of '89! I have no use for the kind of God who goes walking in his garden with a stick, sends his friends to live in the bellies of whales, gives up the ghost with a groan and then comes back to life three days later! Those things aren't only absurd in themselves, Madame -- they're completely opposed to all physical laws. It goes to prove, by the way, that priests have always wallowed in squalid ignorance and have wanted better than to drag the entire world down to their own level.
Quincapoix.
The next day was a funeral one for Emma. Everything appeared to her as though shrouded in vague, hovering blackness; and grief swirled into her soul, moaning softly like the winter wind in a deserted castle. She was prey to the brooding brought on by irrevocable partings, to the weariness that follows every consummation, to the pain caused by the breaking off of a confirmed habit or the brusque stopping of a prolonged vibration.
The more flowery a person's speech, he thought, the more suspect the feelings, or lack of feelings, it concealed. Whereas the truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
nepeta cataria, vulguarly called catnip.
That was how they would have liked to be: what they were doing was to dream up ideals and then refashion their past lives to match them. Speech is a rolling-machine that always stretches the feelings it expresses!
They were no longer speaking; but as they looked at one another they felt a throbbing in their heads: it was as though their very glances had set off a physical vibration.
We shouldn't mistreat our idols: the gilt comes off on our hands.
But an infinity of passions can be compressed into a minute, like a crowd into a little space.
The sorriest little woman-chaser has dreamed of Oriental queens; in a corner of every notary's heart lie the moldy remains of a poet.
@ Alexis Ettner 2004