pp. 76-77: 1.3: the ascription [Dufay], Modern edition, and concordances apply to 1.4 not 1.3. The problem is that both of these verses are on the same opening with verse 6 (anonymous) (1.3) preceding verse 5 (Du Fay) (1.4). It is not clear to me now what is meant by the repeated indications of fauxbourdon apparently related to Du Fay’s setting.

p. 77: 2.3: change Dufay to [Dufay]

p. 79: 4.2: The incipits are incorrect. For correct incipits see Tom Ward’s Hymn Catalogue. RMS 3, p. 191 #393. No excuse for this one; sorry.

p. 84: 10.4: add above incipits: Discantus cum tenore fuga in dyapason.

p. 91: 21.1: change 56r to 56v.

p. 92: 23.1: change 62r to 62v.

p. 59: line 12 from the top: change 38r to 37v and 49 v to 48v.

p. 59: line 21 from the top: change 38v to 38r and 48r to 48v.

p. 68: under Hand A₁, VatS 15, change 38r to 37v and 49v to 48v.

p. 68: under SCRIBE B, VatS 15, change 38v to 38r and 48r to 48v; under VatS 41, add 187r.

p. 85: 13.1, change A₁ to A₁ (fol. 37v), B (fol. 38r).

p. 87: 15.1, change 41v to 42v.

p. 87: 15.2 first incipit: add C2 clef, and a-semibreve in the space after the ligature.

p. 88: 16.1, second incipit: add sign of tempus perfectum; third incipit: replace first breve with two semibreve rests.

p. 89: 18.1, replace B (fol. 48v); A₁ (fol. 49r) with A_1.

p. 88: incipits for 16.1: add sign of tempus perfectum to the Altus.

p. 159: 5: change 2.6/AC to 2.5/M (fol. 22); 2.6/AC (fols. 23-24)

p. 162: 12: add IX to the beginning of the entry.

p. 183: concordances of No. 6:add WrocU 428, 172v-178r, Anon.

p. 186: 11: change Comperre to Compere.

p. 201: second staff of incipits for No. 1; under Tenor: change longam to longum.

p. 276, above DE FEVIN: Under MOTET add: Petrus apostolus [Dufay and Anonymous] (VatS 15, 77, 78), 130.

ASCRIPTIONS IN THE TABLE OF CONTENTS [ORCEAU: LATE JULIUS II] OF VATS 23

TITLE /ASCRIPTION/ ASCRIPTION IN BODY OF MS

Missa de Angelis/ Prioris/ Missa de Angelis: Prioris

Missa Je ne demande/ Agricola/ Agricola Super Je ne demande

Missa Gaudeamus/ Josquin/ Josquin des pres

Missa Malheur me bat/ Josquin/ Josquin

Missa Le Serviteur/ Agricola/ Agricola

Missa L’ami baudichon/ Josquin/ L’ami baudichon madame [in Tenor] Josquin

Missa Villain jaloulx/ fevin/ Le villain Jalloux [in Tenor] no ascription

Missa Faisans regret/ Josquin/ Josquin des Pres

[Patrem de village a cinq/ Josquin -squeezed in by Orceau in a smaller hand, obviously after the original Table of Contents was complete]/ no ascription

Et in terra de beata virgine/ Josquin/ Jusquin Des Pres

Patrem des rouges nes/ Josquin/ Josquin des Pres

Patrem de village a 4// no ascription

Missa quart toni/ Fresneau/ Fresneau

Missa Tant bel mi sont pensade/ Prioris/ Prioris

Missa Puer natus/ de la rue/ no ascription

Missa A qui diralle sa pencee// no ascription

ASCRIPTIONS IN THE TABLE OF CONTENTS [ORCEAU: LATE JULIUS II] OF VATS 41

TITLE/ ASCRIPTION/ ASCRIPTION IN BODY OF MS

Missa gentilz gallans/ Pintelli/ no ascription

M. Lhomme arme/ pipelare/ Lome arme [in a modern hand]

M. Lhomme arme/ Josquin/ L’omme arme Josquin [in a modern hand]

M. Lasse fare amy/ Josquin/ LESSE FAIRE A MI [in initial] no ascription

M. Fortune/ Josquin/ Josquin des pres

M. Ave maris stella/ Josquin/ Ave maris stella [in Tenor] no ascription

M. de beata virgine/ Perisson de la rue/ P DE LA RUE [in initial]

M. Victime/ Brumel/ Vitime pascali Laudes [in Tenor] no ascription

M. Au travail suys/ Ogkeguam/ no ascription

M. Quarti toni/ Okeguam/ no ascription

M. Da pacem domine/ Pasquin/ Da pacem domine [in Tenor] no ascription

M. Dung aultre amer/ Josquin/ no ascription

M. Trop penser/ Gaspar/ Et trop penser my font amours [in Tenor] no ascription

Patrem Je ne vis onques/ Agricola/ no ascription

Patrem Labelle se siet/ Ro de fevin/ Le belle se scit aupres de la tour [above Tenor] no ascription

Patrem de tous biens plainne/ Josquin/ De tous biens plaine [in Tenor] Josquin des pres