“There is empirical and practical evidence that we can promote the development of thinking and reasoning in young children in the early years by providing two curriculum components—planning and reflection. Both are thoughtful activities that encourage children to consider what they are doing and what they are learning. They also promote a broad range of other academic, social, and artistic competencies.” -Ann Epstein
After a couple months of sustained interest in creating masks and paper disguises in the studio, I wrote In the last blog post about some of the mental planning I was encouraging before children began work on their paper mask creations. A series of thought eliciting questions helped to deepen the ideas, and also resulted in more detailed mask creations.
In her article, “How planning and reflection develop young children’s thinking skills”, Ann Epstein notes that, “Planning is more than making choices. Planning is choice with intention. That is, the chooser begins with a specific goal or purpose in mind that results in the choice.” Our art studio, and really our whole school, is abundant with open-ended choices, this concept of planning in order to encourage intention behind the choice a child makes is so important in the development of thinking and reasoning in the early years.
In order to encourage more intention behind the mask making in the studio, I began to require an added planning step to the creation process. From now on, when a child wishes to create a mask, I provide them with a mask planning paper, and a special planning pen. We discuss together their hopes and ideas for what their plan should look like.
As they plan, I work to record their words, and label their drawings. This element of the process sends a message to the children that their ideas are valuable, and it almost always encourages more ideas. As I begin to mark up their work, with their ideas and their descriptions the plan comes to life as a plan, not a product, but a map of their ideas for what’s to come.
After they create their plans with the planning pen, I ask them to think about what colors they will use to create their masks, and they work on the next color planning step of their mask creation.
In this post, I’m sharing with you so many of the plans and the work coming out of the plans in the studio. When a child’s plan is complete, we treat it like this valuable nugget of information, it is kept safe in a planning folder, and hung on the mirror in front of where they are working so we can revisit it every single step of the way in the creation of their mask. There is constant conversation about the plan…Which part of the plan will you work on first? Which materials will be used to bring the plan to life? What parts of the plan have you not yet completed?
If you keep in mind the types of early mask exploration that were taking place…
and then you look closely at the examples shared below, there is no denying the power of a plan and the effect it has on the intention behind their work!
Pictured below are the plans on the left, and some of the finished masks on the right.
Art studio visitors are taking a lot of pride in their masks, and thinking a lot about how to wear them, make them stronger, and also share their hard work with all of you. There has been a great deal of talk about having an art show, or possibly a party where everyone gets to wear their mask. Stay tuned as we work out the details in the studio on the best way to display this hard work that’s been taking place!
Awesome!!