Tag Archives: Senegal

Being Elsewhere

The summer before my senior year in high school, I was one of fourteen students from my high school who went to Mbour, Senegal, a small fishing village for a summer study abroad program. None of us had ever been to Senegal before. On our second day, we were all separated and placed in different host families. Three of us had studied high school level French, but no one spoke Wolof, resulting in a glaring language barrier between us and our host families. On the day I arrived at my host family’s house, I felt completely scared, panicky and overwhelmed. Two scenes clearly replay in my head as I remember that first day. In the first, my hair is braided into tight cornrows. In the second, I attend our first big family dinner party. Replaying these scenes in my head, I realize it would have been a good opportunity for me to reflect on my status as an outsider and the implications it had on my identity. It would have been an important time for me to think about the people that I was living and working with in Senegal, instead of focusing on my own discomfort as I did.

Within the first few hours in my host family’s house, my host sister, Ngoné, and her aunt, Khady, sat me on the ground in front of them as they tried to comb and braid my very long straight Asian hair. It was tangled from a few days of travel, but they tried their hardest with the sharp comb to separate it into tiny sections and braid tightly against my scalp. It was a very long and painful experience. In my journal, I described this incident:

“My new braids are tiny cornrows and it was an agonizing experience to get them. It was hot and humid and my scalp was being ripped this way and that and there were thirteen people and me crushed into a tiny room all shouting Wolof into my pained face.Twelve of those people did not even have to be there, they just wanted to watch,  “Jackie Chan’s niece” get her hair cornrowed. By the last braid, I was pretty much convulsing every time Aunt Khady pulled and I was sweating and my back felt prickly. When Aunt Khady finished, I looked down to see a huge hairball with all of the hair she had pulled out.”    – July 22, 2013

Leigh Johnson
Having my hair cornrowed for the first time was both overwhelming and overstimulating. I felt like I had no control over the situation. I was in agony the entire time, so it was difficult to be aware of much else, including the other twelve people crowded into the room, because my mind was occupied by the new experience of getting my hair braided by my host aunt. Looking back, it would have been a valuable time to observe the family and relationship dynamics of the other twelve people trying to help and watch the braiding process unfold. I would have liked to understand or at least observe what my extended host family was saying and how they were interacting as they shouted in Wolof across the room. I realized that in this moment, I was too overwhelmed by the newness of the situation to observe or be reflective.

Leigh JohnsonThe second experience that I remember vividly feeling like an outsider in Senegal was the first night I had a meal with my entire host family. Ngoné, my host sister, had about 60 family members living in a little cul-de-sac neighborhood, ranging from newborn to 70 years old. These family members would hang out in the streets and front yards, and come together to eat dinner outside. The moment I stepped onto the property, I was swarmed. The children started yelling “Chinois, Chinois” and trying to karate kick me. I heard yells of “Jackie Chan!” with fists and hands flying toward me making hitting motions. With my limited French, I realized that people thought I was related to Jackie Chan or knew some type of martial art, because it was the only association they had with Asian people. I remember feeling frustrated and overwhelmed that I was being racially essentialized by being compared to a character in a karate movie. I felt attacked when one of Ngoné’s aunts chased me around the property for a good five minutes trying to fight me and grab my toes so she could crack them. After all, in their eyes, I was a “martial artist,” who could defend myself.

Leigh JohnsonIt has taken time to acknowledge that it was difficult for me to absorb my experiences in Senegal because I was preoccupied at the time with the sheer shock of being judged on the basis of my racial identity as an Asian. Prior to this trip, I had never thought about how I, as an American who presented as Asian, would be perceived elsewhere in the world. My time in Senegal was the beginning of my realization that even racial minorities have their own racialized prejudices against other minorities. By articulating this, my aim is not to be critical of the Senegalese, but rather to draw attention to the ways in which race operates across the world.

Looking back upon my time in Senegal has allowed me to realize how difficult it is to be an outsider or stranger in a new situation, and how hard it is to observe and analyze like an ethnographer must, when you are feeling completely isolated, confused, and labeled by others a stranger and a foreigner. I realize that it did get easier to be aware of my surroundings and observe once I got to know better my host family and the village I was staying in, but for the first half of my stay, it was almost impossible for me to recognize or feel anything except my own discomfort and outsider identity.

 

Leigh Johnston ’18 is a junior at Smith, with a passion for sociology, anthropology, and reading and writing ethnography.

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A Day at the Beach in Dakar

Koumba Dem interviewed by Isabelle Fitzpatrick, Contributing Writer

Isabelle Fitzpatrick: Can you talk about this photo?

Koumba Dem: Senegal is not an island, but beaches and oceans are a big part of the country. We have beaches everywhere. Le Terrou-bi, which means “this earth,” is one of the best hotels in the country and dem_2016-02-14-essay-imagemy family goes there often for celebrations. This photo was taken on my sister’s 10th birthday, and we organized a surprise
party for her and invited all her friends. This was the first time I ever saw the sky and sea in Senegal this blue.

IF: What does this picture mean to you in how it represents your home country?

KD:  Generally when you hear about Africa in America you hear about war, but Senegal is one of the most stable countries, and it has a well established culture with traditions. Senegal is a very beautiful country and we are trying to become modern. There are so many hidden treasures, and I wish there would be more pictures of Africa like this one to give the world a sense of the great aspects of our culture. I want people to know all the great strides Senegal is making. I want to highlight its beauty and rich culture, and not just the poverty and disease.

IF: What is the cultural context surrounding this photo?

KD: This beach hotel attracts a lot of tourists, including many Lebanese and wealthy Senegalese. Beaches are a new and popular part of the youth culture in Senegal, but older people find them immodest. Parents come only to watch the younger people swim. Senegal is a very religiously-driven country. Older religious chiefs are against seeing youths at the beach. Some beaches that were too close to mosques were closed because people were scandalized. This photo is emblematic of the change in the country. This picture at the beach might not seem like a big deal to people here in the States, but in Senegal, this is more of a big deal. Fifty years ago, seeing people in their swimsuits at the beach would have been shocking to everyone, but now our traditions are changing. As much as religion is part of the political sphere, young people are not as religious. This creates an interesting dichotomy in the country and is part of the change in mentality.

 

dem_2016-02-14-author-imageKoumba Dem is a sophomore at Smith College currently double-majoring in Mathematics and Economics. A native French speaker, she is originally from Côte d’Ivoire and grew up living in Dakar, Senegal, a place she now considers home. When she is not busy being treasurer for the International Students Organization or working as House Community Advisor for Chapin, she enjoys watching Scandal and eating nutella crêpes.

 

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