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Susan Van Dyne (on preserving Occupy Wall St)

Activist Archivists on preserving Occupy Wall St

Archival Tour of Smith College

This video was researched, produced and edited by Iris Howorth, Class of 2012, as her Archives Concentration capstone project.  She selected the images from the College Archives’ Buildings Files Collection, A-Z.  Archival Tour of Smith [College]

Susan Van Dyne (on digital archives)

Bethany Nowviskie. “Reality Bytes.”

Maida Goodwin, Sophia Smith Collection digital collections

Sophia Smith Collection digital collections

Deborah Michaels (Grinnell)

Iowa Room (1)

Carol Lasser,Oberlin College

Syllabus for “Oberlin History as American History, Spring, 2012

 

 

2/21/2012

History 268

Oberlin History as American History

Spring 2012

Tuesdays and Thursdays 9:00-10:50

King 343

Professor Carol Lasser Office: Rice 317

Carol.lasser@oberlin.edu X56712

Office Hours: Thursdays 3-4:45 and by appointment

 

 

 

Main Street, Oberlin, Ohio, 1910-1927

From Our Common Center Database

 

 

 

Course Objectives:

This course engages students in exploring the history of Oberlin, Ohio, both for its uniqueness and for its reflections of broader trends in American history.  It challenges students to (dis)cover, understand and evaluate the past of this complex multicultural community in relation to the national narrative about struggles for civic identity, human rights, racial equality and social justice. The course combines analysis of primary sources with secondary readings in order to equip students to do original research into the history of the town.  We look into a variety of representations, including art, photographs and maps; and we probe the possibilities for working with both community history and community memory. In this way, we develop knowledge with which to construct, question, refine, and contest our understandings of our community and our nation.

This year, students enrolled in the course will focus their research projects on the history of community civic culture, especially celebrations and public ceremonies.  These explorations should help us better understand the changing ways in which narratives of our community are constructed, the meanings of civic participation and public celebration, and the creation of the identity both of the town and of its inhabitants. College students will be undertaking “real” history research, but with a sensitivity to, and in collaboration with stakeholders in that history— the members of the community for whom these histories are meaningful sources of contemporary understanding. Students are especially urged to take this class for four hours of credit, which will place them in partnership with students from Oberlin High School.  Our work will also generate a significant resource for future historians and citizens.

 

Organization of the Course:

Students may choose to take the class for three hours credit or for four hours credit.

For the first half of the semester, the assignments for all students will be the same.  After Spring Break, students taking the course for different hours will have some different assignments.

Students taking the course for four hours credit will be placed in a partnership with students from the tenth grade American history course taught at Oberlin High School by Mr. Kurt Russell.  Teams of high school and college students will work together for the second half of the semester.  Final projects for students taking the course for four hours will involve coordinating research with their high school partners (as delineated below) and helping them assemble materials for a paper and a presentation.  Grades for students taking the course for four hours will be based in part on their documented efforts to work with high school students to create the assigned paper and presentation.

Students taking the course for three hours credit will not be placed in a partnership with high school students.  Nonetheless, they are expected to be aware of the meaning of their work to the broader Oberlin community.  Their final project will be a paper on Oberlin history based on original research (as delineated below).

 

An Important Note on Readings Assigned for History 268

At this time, there are no required texts to be purchased for this course. All readings will be available either at the class Blackboard site, or on the special websites cited in the syllabus.   Check your syllabus for the location of the assigned material.  Please let me know as soon as possible if there are problems with the readings.

You are encouraged to print out all readings, mark them up, and bring them to class.   The assigned readings will be discussed in class, and you will use them in your papers. You are required to bring to class some readings, indicated on the syllabus by **; you may print these readings out, or you can bring them to class on a laptop.

Some readings can be accessed online via urls supplied in the syllabus.  Readings without urls are on the class Blackboard site under “Readings.” You are expected to do all readings and assignments, and come to class prepared to discuss them.

 


SCHEDULE OF CLASSES


Tuesday, February 7

Introduction to the Course and Its Objectives: 

What Does it Mean to “Do History”?
Oberlin: College and Community

 


Thursday, February 9

History And Memory:

Constituencies and Engagements

Required Reading:

  • Carl Becker, “Everyman His Own Historian,” American Historical Review, 37 (January 1932): 221-236 online at http://www.jstor.org/stable/1838208
  •  Roy Rosenzweig and David Thelen, Chapter 1:”The Presence of the Past: Patterns of Popular Historymaking,” pp. 15-36, in The Presence of the Past.
  • David Thelen, “Memory and American History,” Journal of American History 75 (March 1989): 1117-1129, online at http://www.jstor.org/stable/1908632

Questions:  How does Becker define “History”?  Do you find his definition distinctive?  How does it compare to other definitions of “History” that you have used? How do Rosenzweig and Thelen see people engaging in “making history”?  Are they doing what Becker’s “Everyman” [sic] is doing when “he” studies “History?”  What is the relationship of “history” and “heritage”?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class.


Tuesday, February 14

Getting to Oberlin:

Required Reading:

  • Thomas Sherman, A Place on the Glacial Till, selections
    • (Introduction, pp. 3-9 optional)
    • Chapter 3: People, pp. 57-84
    • Chapter 4: Western Reserve, pp. 85-109
  • Robert Fletcher, A History of Oberlin College
    • Chapter 9: A Grand Scheme, pp. 85-92
    • Chapter 10: Oberlin Colony, pp. 102-116
    • Chapter 11: Oberlin Institute, pp. 117-128
  • Covenant of the Oberlin Colony** http://www.oberlin.edu/external/EOG/Documents/Oberlin_Covenant.html (note that some excerpts from this document appear in Chapter 10)
  • Prospectus for the Oberlin Collegiate Institute** http://www.oberlin.edu/external/EOG/Documents/OberlinProspectus.html (note that some excerpts from this document appear in Chapter 11)

Questions:   Why was Oberlin founded?  What was the original relationship between the “colony” and the “Oberlin Collegiate Institute”?  What did you discern about the national context for the founding of Oberlin from your reading in Fletcher?  How would you characterize the political, social and religious outlook of the founders?

Why are the histories written by Sherman and by Fletcher so different?  What are their various purposes? What are their sources?

What strikes you as special or surprising in the Covenant or in the Prospectus?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class.

 


Thursday, February 16

Oberlin’s Second Founding:

The Commitment to Radical Racial Egalitarianism

Required Reading

Questions: Why did the Oberlin Collegiate Institute accept students of color?  How “radical” was the decision?  What evidence do you have to support your point of view?  Could you argue a different point of view?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class.


Tuesday, February 21

Women and Gender at Early Oberlin

 Required Reading:

  • Robert Fletcher, A History of Oberlin College (below is the suggested order for reading)
    • Chapter 24: The Joint Education of the Sexes, pp. 373-385
    • Chapter 21: Female Reformers, pp. 290-315
  • Lori Ginzberg,  “’The Joint Education of the Sexes’: Oberlin’s Original Vision,” from Carol Lasser, ed., Educating Men and Women Together, pp. 67-80

Questions: Were women and men “equal” at early Oberlin?  Why did the college accept women?  Why did women enroll? What did they hope to gain by attending Oberlin?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class.


Thursday, February 23

The Evolution of Antislavery Activism in Oberlin

Required Reading:

  • Geoffrey Blodgett, “Oberlin Starts the Civil War,” in Oberlin History: Essays and Impressions, pp. 55-60;
  • Robert Fletcher, A History of Oberlin College (Blackboard)
    • Chapter 18: Hotbed of Abolitionism, pp. 236-253
    • Chapter 25: Free Soil and the Underground Railroad, p. 386- 400
    • Chapter 26: Higher Law, 401-416
  • Carol Lasser, “Enacting Emancipation: African American Women Abolitionists from Oberlin College and the Quest for Empowerment, Equality, and Respectability,” Women’s Rights and Transatlantic Antislavery in the Era of Emancipation, Kathryn Kish Sklar and James Brewer Stewart, eds.,

Questions:  Was antislavery a religious, social or political movement in antebellum Oberlin?   What moments seem particularly important in its evolution?  Why was the Oberlin Community such a hotbed of antislavery activity? What are the implications of the Oberlin-Wellington Rescue for our community today?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class.

 

 

Paper Due FRIDAY, MARCH 2

Utopians or Fanatics or Plain-Living Pioneers?

For more than a century, Oberlinians and others have debated whether early Oberlin was an idealist communal settlement or an enclave of rigid and doctrinaire extremism.  What’s your take?   Please write a paper 4-6 pages in length evaluating the early history of Oberlin (that is, from the founding through the beginning of the Civil War), and providing specific evidence for your answer.  You may want to draw on some of the work you did for your earlier Blackboard postings.

Papers must be typed, double-spaced, with 12-point type.  They should have a clearly stated thesis, make use of supporting evidence, and appropriately cite that evidence.  The paper should be written with clarity.    You may submit your paper electronically; if you choose to do so, please be sure to submit it in Word, pdf or rtf format  andemail it to me at carol.lasser@oberlin.edu.

Don’t forget to write and sign the Honor Code.

 

Tuesday, February 28

 “Race and Opportunity in Oberlin, 1850-1900”

Guest Lecture by Professor Gary Kornblith


Thursday, March 1

“Seeing” Oberlin History

Meet at the Print Room at the Allen Art Museum

Students with last names A-K: 9:00 to 9:50

Students with last names L-Z: 10:10 to 10:50

Enter the Museum via the walkway on E. Lorain Street that leads into the Art Courtyard; hang your things on hooks and proceed to the Print Room on the Second Floor

Important Rules for the Print Room:

  1. Pencils only; no pens.
  2. All jackets, hoodies, backpacks, purses, bags, umbrellas, hats, scarves, etc. must be left on the hooks by the back door of the museum.
  3. Shoes and shirt must be worn.
  4. Please do not touch the artwork.
  5. No food or drink.

Optional Extra Credit Blackboard Posting

Before Class on Tuesday, March 6, please post a reflection on how understanding visual and material culture might help us better understand Oberlin history. Describe a specific object you saw that helped you make connections. 

This posting can take the place of another posting over the course of the semester, or can be posted for additional credit.

 

Saturday, March 3: Special Session:

Monuments and Memory:

A Field Trip/Monuments Walk in Oberlin

Reading: Kurt Savage, “The Politics of Memory: Black Emancipation and the Civil War Monument” in John Gillis, editor, Commemorations

 

Tuesday, March 6

Oberlin between Jubilee and Centennial:  Temperance, Race, and Gender

  • William Bigglestone, Chapter 1: “The Scene” and Chapter 5: “The Cause,” pp. 1-12 and 77-101 in Oberlin: From War to Jubilee
  • J.F. Brand, “Letter from Oberlin, Western Christian Advocate, September 28, 1881
  • James Fairchild, “The Oberlin Temperance Pronouncement,” The Advance, February 16, 1882;
  • Excerpts from Secretary’s Book of the Ladies Temperance League of Oberlin, 1884;
  • “Why Did African American Women Join the Women’s Christian Temperance Union, 1880-1900?” Document Project by Thomas Dublin and Angela Scheuerer,  Introduction, Women and Social Movements in the United States website, http://asp6new.alexanderstreet.com/was2/was2.object.details.aspx?dorpid=1000679650
  • Excerpts from Frances E.W. Harper, Superintendent of Colored [sic] Work, Women’s Christian Temperance Union, “Work Among the Colored People,” 1884

Optional

  • Mark Twain, The Man That  Corrupted Hadleyburg (1899), etext on Blackboard

Questions: What happened to Oberlin’s reform spirit after the Civil War?  What are the similarities between temperance and abolition as social movements?  What were the gender dynamics of temperance in Oberlin?  What about the dynamics of race?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class.


Thursday, March 8

Did Oberlin Retreat from Reconstruction?

NIAGARA AND NEWSPAPERS

Meet in Mudd

Required Reading

Questions:  Can you explain what the Niagara Movement was, and why it met in Oberlin in 1908?  What issues were controversial during the meeting in Oberlin?  How did Diepenbrock see race relations in Oberlin in this period?

Required Blackboard Posting

Remember to bring a copy of your posting with you to class


Tuesday, March 13

Oberlin’s Race Relations, 1920-1945

Required Reading:

Special Assignment: For this class, you will use the skills you learned about searching for articles in Oberlin newspapers to find an article that reflects race relations in Oberlin for a time that will be assigned to you during the period between 1920 and 1940. You may work in teams, so long as each individual brings at least one article.  You may choose to start your search with the online index  to Oberlin Newspapers at http://www.oberlin.edu/cgi-bin/cgiwrap/library/ref/index.php?db=newsindex

Bring newspaper article to class!


Thursday, March 15

Oberlin Politics, 1960-1965:  Housing Controversy in a Small Town

Required Reading:

  • Aaron Wildavsky, Chapters 1, 6, 7, 8, and 17, (pp. 3-13, 83-126 and 236-252) in Leadership in a Small Town
  • Donald Reich, “The Oberlin fair-housing Ordinance “ in Lynn Eley and Thomas Casstevens, ed., The Politics of Fair-Housing Legislationp.105-147

Questions:  What sense did Wildavsky make out of Oberlin local politics?  What importance did he accord race? How much power did he find among people of color in the community?  What happened to Oberlin’s Fair Housing initiative?

Class will include an exploration of doing history with maps.

Preliminary Research Prospectus: Assignment for 3 Hour Students: Please submit a preliminary prospectus for your final research paper.  Your proposal should include: (1) the topic you want to research (2) at least three questions that you want to address in your research and (3) the kinds of primary sources you hope to use (i.e. newspapers, oral histories, church records, etc.)  Your proposal is due by 4:30 today.  This assignment will help you make the most of your upcoming library research session.  See also the description of your research prospectus at the end of this syllabus.

Required Blackboard Posting

Remember to bring a copy of your posting with you to class


Tuesday, March 20:

Four Hour Students: Partnership Discussion at Oberlin High School.

High School Students and College Students will indicate their preferences for celebrations to research.  Be sure to use time together to introduce yourselves, and to trade contact information.

Four Hour Reading Assignment:

Look at the following and discuss with your partner BEFORE you meet your students. Remember that you are NOT teaching these articles to them—but they can inspire your discussions.

  • John Bodnar, “The Memory Debate,” in Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century
  • Elizabeth Pleck, “The Making of the Domestic Occasion: The History of Thanksgiving in the United States, Journal of Social History 32(Summer 1999): 773-789; Stable URL: http://www.jstor.org/stable/3789891

 

Three Hour Students: Meet in Mudd 113 for Research Session with Librarian Ms. Eboni Johnson

Three Hour Students: Remember to bring a copy of your research proposal with you to this session.


Thursday, March 22: Archives Visit

All Students meet at 9am in Archives on Mudd 4th Floor

Required Reading:

High School students will join us for the first hour of class.


 

Spring Break


Tuesday, April 3

 Four Hour Students: 9 am meeting at Mudd with High School Students

Be sure to bring with you a plan for your session that includes ways to: brainstorm your topic, think about sources, think about how to assign responsibilities, and  think about your timetable for research.

Three Hour Students

You must submit a Revised Research Prospectus and a Research Timetable by Wednesday, April 4 at noon, and sign up for an appointment with the Professor  Thursday April 5 or Friday April 6.

All Students:

10 am: Discussion of Oral History: Method or Source?

In Library Room

Required Reading:

  • Studs Terkel, Hard Times, pp. 56-60, 62-69 and 71-75
  • Michael Frisch, “Oral History and Hard Times: A Review Essay,” and “The Memory of History,” pp. 5-27 in A Shared Authority
  • Katherine Borland, “‘That’s Not What I Said’: Interpretive Conflict in Oral Narrative Research,” pp. 320-332 in The Oral History Reader,

Thursday, April 5

Four Hour Students: 9 am meeting at Mudd with High School Students

If possible, share some sources with your team.  Begin to assign responsibilities, and  think further about your timetable for research.

10 am follow-up meeting in Mudd Group Room

Research Timetable for Four Hour students due Sunday, April 8 at noon.

Three Hour Students : No formal class, although you will be expected to sign in at the Library and use the time for research and writing.


Tuesday, April 10

Four Hour Students: 9 am meeting at Mudd with High School Students

All Students

10 am: Ms. Phyllis Yarber Hogan

Oberlin’s Lincoln Street

In Library Room


Thursday, April 12

Four Hour Students

9 am meeting at Mudd with High School Students

All Students:

10 am: Discussion of Oral History: Nuts and Bolts

In Library Room

Required Readings


Tuesday, April 17

Four Hour Students: 9 am meeting at Mudd with High School Students

Three Hour Students: 10 am class in Library

Progress Report Due: Please describe what you have accomplished

Bring 3 copies of this report, and 3 copies of your Research Prospectus and Timeline to class

All Students:

10 am in Library: Oberlin’s Cooperative Heritage


Thursday, April 19

Four Hour Students: High School Oral History I

Three Hour Students: Consultations to be scheduled


Tuesday, April 24

Four Hour Students: High School Oral History II

Three Hour Students : No formal class, although you will be expected to sign in at the Library and use the time for research and writing.


Thursday, April 26:

Four Hour Students: 9 am meeting at Mudd with High School Students

Progress report due Friday, April 27 at 5 pm

Three Hour Students

10 am:  review of presentation expectations and scheduling


Tuesday, May 1

Four Hour Students: 9 am meeting at Mudd with High School Students

Three Hour Students : No formal class, although you will be expected to sign in at the Library and use the time for research and writing.


Thursday, May 3

Four Hour Students: 9 am meeting at Mudd with High School Students

Three Hour Students: 10 am in Library: Presentations

All students attend 10 am presentations


Tuesday, May 8

Four Hour Students: 9 am meeting at Mudd with High School Students

Three Hour Students: 10 am in Library: Presentations

All Students attend these presentations


Thursday, May 10

Final Class

Four Hour Students: 9 am meeting at Mudd with High School Students

Three Hour Students: 10 am in Library: Presentations

All Students attend these presentations


Thursday, May 17 at 9 am:

Examination Period

Four Hour Students: Team Presentations

At this time, project and self evaluation due.

Three Hour Students: Attendance at these presentations is optional;

ALL PAPERS AND FULL PROJECT DOCUMENTATION DUE AT 11 AM


GRADING INFORMATION

Grading is an art, not a science.   To that end, I provide the following information on the weighting of each assignment.  Please note that any written work, before the final project, may be rewritten to improve your standing in the class IF you check with me in advance.

Any unexplained absence from class will lower your grade.  Late work, including late postings, will be penalized, with penalties increasing for degree of lateness.

Grading Proportions: Four Hour Students

General Class Participation 10%
Eight Blackboard Postings, for a total of  25%
Short Paper due March 2 15%
Newspaper Article for March 13   5%
Final Project: Research Prospectus and Timeline  10%
Final Project: Class Presentation  10%
Final Project: Package 25%

Grading Proportions: Three Hour Students

General Class Participation 10%
Eight Blackboard Postings, for a total of  25%
Short Paper due March 2 15%
Newspaper Article for March 13   5%
Final Project: Preliminary Research Prospectus for March 15  5%
Final Project: Revised Prospectus and Timeline for April 3 10%
Final Project: Class Presentation  5%
Final Project: Package 25%

 

 

Expectations for Blackboard Postings:

The course Blackboard site has a section called “Student Posts on Readings.”  It has a forum for each topic on a Blackboard posting is required or optional.  You will add a posting at least eight times during the semester (this means you can miss one required posting).  Your posting should engage one or more of the questions about the readings posed in the syllabus, and, if you wish, it can engage with the reflections posted by other students.  Postings should be clearly written, using standard spelling and grammar.  They should demonstrate your comprehension of the readings.  A posting should be at least one paragraph in length.  Postings are due by 7 am on the day they are assigned—that is before class.

 

What is a Research Prospectus?

Describe your topic, and describe the kinds of sources you expect you will use.  Reference the ways in which others have viewed your topic, and how that has shaped your thinking.  Go from your topic to more specific questions you want to ask; and, if you can, be more specific about your sources.

 

What is a Research Timetable?

 Writing your research outline involves refining your conception of your project, assigning tasks and setting deadlines.   At this point, you need to convince me that your project is focused and “do-able,” and that you have identified good sources.  You should be able to summarize the focus of your inquiry in two or three sentences.  In addition, you will want to consider all the components you are expected to include in your final project, think about what each will entail, develop a schedule for the tasks involved, and, if you are working on a group project, assign responsibilities.

You may want to explore whether there are any related primary or secondary sources at the Oberlin Heritage Center or in Archives or Special Collections. To use materials at these locations, you will need to make special scheduling efforts. Your research outline should make clear how much time you think you will need to spend working with these sources, and may assign particular responsibilities to individuals.

 


 

Three Hour Students:   Your Final Submission (due at 11 am on Thursday, May 17) must have these components:

    • 10-12 page (text)  Research Paper;
    • appropriate formal citations of materials used in the paper (footnotes or endnotes, using Chicago Manual of Style format);
    • a formal bibliography, using separate categories for primary sources and secondary sources;
    • References to least three appropriate secondary sources;
    • Evidence of significant use of a substantial number of primary documents.  These can be documents within a single collection (perhaps 10 letters in a collection); or maybe one dozen newspaper articles, or some mix of materials.  The important point here is that you want to demonstrate your use of a substantial number of sources.  Papers that cite fewer than 6 primary sources will not receive credit.
    • You may use oral histories (and they will be categorized as a primary source) but remember:
      • Each oral history should be accompanied by a signed permission.
      • The final submission should include of your oral history permission forms.
    • At least two photos or graphics.  You may use more if you wish, but please, unless these visuals are critically evaluated as primary sources (and listed in your bibliography), they will not count as primary sources.


 

Important Information for Fourth Hour Project

You will meet with your high school students each Tuesday after Fall Break.  YOU are responsible for working out in advance(with a college partner if you have one) the content, materials and goals for each work session with your high school students in order to achieve the goal for the session.  Be well prepared, with readings, questions, alternatives if your plans fall flat.  Leave your students with a clear understanding of what you expect them to do during their Thursday work session without you. 

 

Mr. Russell expects each team’s projects to have the following components:

    • The overall paper will explore the history of some holiday/celebration in Oberlin.
    • The paper will include both information and some reflection on what the meaning of the holiday has been to various parts of the community.
    • It will include at least 2 pages of text written by each 10th grade student
    • Each member of the team will look at :
      • At least 3 appropriate secondary sources
          • Only ONE of these may be an encyclopedia (and NOT Wikipedia; you may, however, use Wikipedia to find other sources);
          • At least ONE of these must be a printed source;
      • At least 3 primary sources contemporary to the people and events on which you focus  (newspapers, magazines, letters, flyers—this does NOT include your photos or oral histories) .
    • Each team will conduct at least 2oral histories
  • YOU as the college students will be responsible for obtaining a signed permission for each oral history;
  • YOU as the college students will be responsible for including a brief summary of the tape with your final project submission;
  • YOU as the college students  will be responsible for submitting appropriate permissions with the final project.
  • Each team should locate at least four photos or graphics;
    • each high school student must submit at least one graphic.  Please have your high school students submit  a written explanation (1-2 paragraphs)  of why this visual is relevant to the project.
    • At the end of the term, each team will  make a 10-minute PowerPoint presentation in which every high school student takes a part in the presentation (you can coach or take a small part in the presentation itself).  The PowerPoint slides will be submitted along with other materials.

 

FOUR HOUR COLLEGE STUDENT FINAL SUBMISSIONS MUST INCLUDE:

  • Project completed by High School Students—as above, including graphics;
  • Oral history materials (tapes/files, permissions, summaries of oral histories)
  • A file including your email correspondence with your high school student partners and their responses (both sides!)
  • Your individual self-evaluation, 3-6 pages in length, in which you discuss your participation in the project, your own individual strengths and weaknesses, your particular satisfactions and challenges, and what you learned.

 


History 268: Oberlin History as American History

Spring 2012  Schedule of Meetings for Four Hour Students

Working with 10th Grade American History Class of Mr. Kurt Russell

Tuesday

Thursday

April 3: Getting Started on Research

At this session, you will brainstorm your topic, think about sources, think about how to assign responsibilities, and  think about your timetable for research

GOAL: Get each high school student to develop at least 3 questions related your the topic that can help them get started with research.  Work together to identify several sources. College students should undertake “pre-search” so that they have accessible materials with which to begin.

April 5: Secondary Sources

Bring selections from secondary sources to work on together with your team. Ask high school students to paraphrase what they are reading to get a sense of level of materials you will be using.  Begin to assign responsibilities, and  think further about your timetable for research.

College Students: Submit  your research outline to me by Sunday April 8 at noon

(A research outline describes what you will do and when. This outline should carefully consider how you will use each of the  sessions you have with your high school partners.  The schedule and goals below may help.

April 10: Mudd Research

GOAL : College students should “pre-search” before class. You may want to use more selections of secondary materials, or you may want to move to primary materials.  If college students want to use newspapers or magazines, for example, find examples of relevant materials BEFORE class.  If you want to use Archival materials, you may have to get and photocopy these materials IN ADVANCE since the Archives does not open until 10 am.

April 12: Mudd Research

GOAL : College students should “pre-search” before class. You may want to use more selections of secondary materials, or you may want to move to primary materials.  If college students want to use newspapers or magazines, for example, find examples of relevant materials BEFORE class.  If you want to use Archival materials, you may have to get and photocopy these materials IN ADVANCE since the Archives does not open until 10 am.

 April 17: Prepare for Oral History

 

College Students: make sure you have contacted your oral history interviewees and prepared for your interviews.  Share with your students some relevant background materials.  Brainstorm questions with your team. Each student should have at least one good question to ask.

April 19: Oral History Session at the High School

College Students: come prepared with recording devices, and the knowledge of how to use them.  Be ready to help your students.   Think about how you want your oral history to proceed; what are you trying to learn?

GOAL: use your oral history informant to help you better understand some aspect of celebrations and public culture in Oberlin

April 24: Oral History Session at the High School

College Students: come prepared with recording devices, and the knowledge of how to use them.  Be ready to help your students.   Think about how you want your oral history to proceed; what are you trying to learn?

GOAL: use your oral history informant to help you better understand some aspect of celebrations and public culture in Oberlin

College Students Follow-up: Listen to interviews and think about most relevant information. Transcribe 4-6 paragraphs, and  to be ready to share with your students at the next Mudd Research meeting, that  is, Tuesday, May 1.

April 26: Mudd Research

College Students: prepare for this class by

reviewing the components necessary for the final project.

 

Submit a progress report by 5 pm on Friday, April 27

.

 

May 1: Blocking out the writing

take stock of what you, as a team,  know, and outline your group’s paper.  Assign particular 2 page sections to each student.

GOAL: identify the “big news” from your project—the most important or exciting thing(s) your group has learned.  Set out the overall shape of your project and make sure everyone is clear about their contribution and responsibilities

May 3: Getting it down on paper

Work with students to make sure they have the sources they need to write their pages.  If you have time, you might work with them on their writing.  Give them a clear assignment for bringing 2 pages with them to the next class, that is Tuesday, May 8

May 8:Work with students to revise their writing.

 

If time,  groups review their projects and add the visuals.  Assignments for revision as needed.

 

GOAL:  polish the coherence of your project and help fit the pieces together; Help your students understand what revisions they need to make.

May 10: Crafting the presentation

Draft slides for your final presentation.  Add visuals.

Between May 10 and May 16, you may wish to schedule a meeting of your team

GOAL: put together a final version of the written project for submission and put together (and practice) your PowerPoint.

Time your presentation; it should take no longer than 10 minutes!

May 17 at 9am:

Team Presentations

College Student Final Project due.

 

 

CHECKLIST OF MATERIALS FOR FOUR HOUR PARTNERSHIP PROJECTS

Submit this checklist with your final project

 

Your Name:

2 pages of text by each student

 

Student names:

 

 

 

 

3 secondary sources

(No more than one encyclopedia; no more than two online sources

 

Source #1

 

 

Source #2

 

 

Source #3

 

3 primary sources Source #1

 

 

Source #2

 

 

Source #3

 

2 oral histories

 

Name of informant : (attach summary)

 

 

Name of informant: (attach summary)

1 photo/graphic from each student (with explanation of relevance) Student names:

 

 

 

 

Team Paper  
Team PowerPoint  

 

 

In addition to submitting the materials above College Students need to submit:

Oral History Permissions  
Oral History materials  
Email between you and your high school students  
Your self-evaluation  

 

Past or Portal?

Here are the title page, table of contents, and introduction from Past or Portal?
Enhancing Undergraduate Learning through Special Collections and Archives:

Past or portal title page

Past or portal table of contents

Past or portal intro

Here’s further information about the book:

http://www.acrl.ala.org/acrlinsider/archives/5310

Workshop participants are eligible for a 15% discount on the print edition and the
print/electronic edition package.  Details to follow in my next post.  (Thank you,
ACRL!)

Suzy Taraba
Wesleyan University

 

Carol Lasser History 213 First Wave American Feminism

HISTORY 213 – First Wave American Feminism
Fall 2010

Production date: September 12, 2010

Adelaide Johnson (left), Dora Lewis, and Jane Addams at the dedication of Johnson’s suffrage sculpture Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony in the U.S. Capitol. National Photo Co. February 15, 1921.

 

Professor Carol Lasser           King 221 Office: Rice 315 X56712 Tuesday/Thursday 9:30-1050
carol.lasser@oberlin.edu
Office Hours: Tuesday 11-12:30 and Thursdays 2-3

 

This course explores the quest for gender equality from the end of the American Revolution through the enfranchisement of women in 1920  that is, during the period scholars have identified as the “First Wave” of American feminism.  We investigate social and political thought about the status of women, embedding this intellectual history in cultural history that references race, class, sexuality, health and citizenship. We look in particular at analyses as they emerged from the heritage of the American Revolution, antebellum reform including utopianism, and antislavery, post-Civil War factionalism and reaction, the temperance movement, labor and socialist agitation, birth control and eugenic activism.  Weekly readings usually focus on the writings of women and men about questions of gender equality in historical and cultural context.

 

The course requires course attendance and class participation, completion of weekly reading assignments (generally due before class on Tuesdays), regular postings to the class BlackBoard site, two in-class essays on previously distributed topics, and a final exam on previously distributed topics.  For further descriptions of the assignments, including information on BlackBoard postings and grading, please see the end of this syllabus.

 

A Note on Assigned Readings:

Most reading assignments are available online.  You are encouraged to print these readings out, annotate them as you read, and bring them to class for discussion.  One important exception: Please make arrangements to purchase:

  • Allison L. Sneider, Suffragists in an Imperial Age, Oxford University Press, 2008

Schedule of Classes and Readings

Tuesday, September 7:

 Introduction:  Thinking About the History of American Feminism

 

Thursday September 9:

 No Class: Jewish New Year

  • Optional Assignment:  Think about the status of women in religious accounts of human origins.  Do they address questions of equality and/or difference?  How do they construct the relationship of men and women, and the relationship of women to society and the state?

 

 

Tuesday, September 14:

Mary Wollstonecraft and the Origins of Anglo American Feminism

  • Required Readings:
    • Nancy Hewitt, “From Wollstonecraft to Mill: What British and European Ideas and Social Movements Influenced the Emergence of Feminism in the Atlantic World, 1792-1869?”  url: http://womhist.alexanderstreet.com/awrm/intro.htm
    • Mary Wollstonecraft, Vindication of the Rights of Woman  (17292), Selections on History 213 BlackBoard site
  • Questions to Consider:
    • Why does Wollstonecraft dedicate her volume to Talleyrand?
    • With what  class(es) is Wollstonecraft concerned and why?
    • Is there anything “revolutionary” about Wollstonecraft’s approach?
  • Assignment : Required Posting #1

 

 

Thursday, September 16:

Revolutionary Backlash: Seductions, Romance and the Sexualization of Virtue: Moral Reform to the Rescue

 

 

Tuesday, September 21:

The Feminisms of Frances Wright : Radical, Utilitarian, Utopian and/or Liberal?

  • Required Readings:
    • Frances Wright Biographical Sketch from Notable American Women, on History 213 BlackBoard Site
    • Frances Wright, “Address Delivered at New-Harmony Hall, At the Celebration of the Fourth of July 1828,” on History 213 BlackBoard Site
    • Frances Wright, “Of Free Inquiry,” from Course of Popular Lectures,   2nd ed. (New York: 1829) on History 213 BlackBoard Site
    • Frances Wright, “On Existing Evils, and Their Remedy,” from Course of Popular Lectures,   2nd ed. (New York: 1829) on History 213 BlackBoard Site
  • Questions to Consider:
    • How does Wright see the relationship of individuals to the state?
    • What does she mean by “Republican” and “Democratic”?
    • What is “Patriotism” for Wright?
    • How does “the Woman Question” fit with other parts of Wright’s philosophy?
  • Assignment: Required Posting #2

Thursday, September 23:

From Republican Motherhood to the Cult of Domesticity: The Constructing the Euro-American Middle-Class Family

 

 

 

Tuesday, September 28:

Margaret Fuller: Constructing a Romantic Tradition

 

 

Thursday, September 30:

 American Slavery and the Emergence of American Antislavery

 

 

Tuesday, October 5:

Antislavery, Racial Egalitarianism and Women’s Rights

  • Required Readings
    • Biographical Sketches of Sarah Grimké and Angelina Grimké Weld on History 213 BlackBoard site
    • Angelina  Grimké , “Appeal to the Christian Women of the South,” excerpts on History 213 BlackBoard Site
    • Sarah Grimké  “Letters on the Equality of the Sexes and the Condition of Women,” excerpts on History 213 BlackBoard Site
  • Questions to Consider:
    • What traditions do the Grimkés use in appealing to women?
    • What for them is the relationship of slavery and the situation of women?
    • On what basis do they argue for the equality of women?
    • What changes do they seek, and how do they imagine that these changes will come about?
  • Assignment: Required Posting #4

 

 

Thursday, October 7:

Getting to Seneca Falls: Sex, Property and Citizenship

 

 

Tuesday October 12:

Convening Women: 1848-1852

  • Required Readings:
    • Elizabeth Cady Stanton, “The First Woman’s Rights Convention,” from Elizabeth Cady Stanton As Revealed in Her Letters, Diary, and Reminiscences, on History 213 BlackBoard site
    • “The Seneca Falls Convention and the Rochester Convention, 1848” from Chapter IV: New York in Stanton et al., History of Woman Suffrage, Volume I, on History 213 BlackBoard Site
  • Questions to Consider:
    • How does Stanton describe the origins of the Seneca Falls Convention? 
    • What issues were raised at the Convention?  How “thinkable” were they in context?
    • What controversies did the Convention spark?
    • How did the Rochester Convention differ from Seneca Falls?
  • Assignment: Required Posting #5

 

 

Thursday, October 14:

Early Black Feminisms

 

Unveiling of bust of Sojourner Truth in Emancipation Hall, U.S. Capitol, April 28,2009

Just before the Sojourner’s bust was revealed, First Lady Michelle Obama had some remarks on what this event means to her: “The power of this bust will not just be in the metal that delineates Sojourner Truth’s face; it will also be in the message that defines her legacy,” she said. “Forever more, in the halls of one of our country’s greatest monuments of liberty and equality, justice and freedom, Sojourner’s Truth story will be told again and again and again and again.”

  • Required Readings:
    • African Dorcas Association Reports (optional), on History 213 BlackBoard Site
    • Maria W. Stewart, “Religion and the Pure Principles of Morality,” on History 213 BlackBoard Site
    • Maria W. Stewart, “Mrs. Stewart’s Farewell Address” on History 213 BlackBoard Site
    • Sojourner Truth, Two versions of the Akron Speech, on History 213 BlackBoard Site
    • Harriet Jacobs, Incidents in the Life of a Slave Girl, excerpts on History 213
  • Questions to Consider:
    • How does Maria Stewart locate her analysis?
    • What are the particular challenges faced by Northern women of color?
    • What are the particular challenges faced by enslaved women?
    • How do women of color, in the antebellum North and/or  the South, conceptualize the power they seek?
  • Assignment: Required Posting #6

 

 

Tuesday, October 19

In-class midterm essay. 

  • You will be given information about the topic and the format on Thursday, October 14 in class.

 

 

Thursday, October 21

From Civil War to Schism

  • Assignment: Print these Readings and  Bring to Class:
    • Debates at the 1869 American Equal Rights Association Convention, on History 213 BlackBoard site

 

Photograph by Napoleon Sarony. National Woman’s Party Records, Manuscript Division,

Library of Congress, LC-MSS-34355-36

*******

FALL BREAK

*******

 

Tuesday, November 2

The Evolutionary Feminism of  Charlotte Perkins Gilman

  • Required Readings:
    • Biographical Sketch of Charlotte Perkins Gilman from Notable American Women, on History 213 BlackBoard site
    • Charlotte Perkins Gilman, Women and Economics (selections), on History 213 BlackBoard Site
    •  You may wish to look at Charlotte Perkins Gilman, Suffrage Songs and Verses, online at http://digital.library.upenn.edu/women/gilman/suffrage/suffrage.html  which includes the memorable “The Socialist and the Suffragist”
  • Questions to Consider:
    • How does Gilman use evolutionary theory?
    • According to Gilman, what role does sex attraction play in human evolution?
    • What is the future of the family according to Gilman?
    • And, just for fun, what would Gilman make of same-sex marriage?
  • Assignment: Required Posting #7

 

 

Thursday, November 4

Labor, “Labor Feminism,”  and the Working Woman

 

 

Tuesday November 9

Feminist Maternalism and the State: The Philosophy of Jane Addams

 

  • Questions to Consider:
    • What difference does gender make for Jane Addams?
    • Do men as well as women suffer “the snare of preparation”? Why or why not?
    • What is the “subjective necessity” of social settlements?  How does this balance with their “objective value”?
    • Does Addams presume the charity worker is a female?
  • Assignment: Required Posting #8

 

 

Thursday, November 11

Social Work and Social Justice in Black and White

 

 

Tuesday, November 16

Anti-Lynching and Anti-Racist Work of Ida B. Wells-Barnett

Readings: A Red Record and controversy with Frances Willard

  • Required Readings:
  • Questions to Consider:
    • How did Wells-Barnett explain the connections between lynching and rape?
    • For Wells-Barnett, what are the connections between race, gender and power?
    • What are the implications of Wells-Barnett’s work for the possibilities for interracial work?
  • Assignment: Required Posting #9

 

 

Thursday, November 18

 

The Great Trio of Oberlin’s Class of 1884: Mary Church Terrell, Anna Julia Cooper and Ida Gibbs Hunt

 

 

Tuesday, November 23

IN CLASS ESSAY on Topic to be announced

 

 

THURSDAY, NOVEMBER 25: Thanksgiving: NO CLASS

 

 

Tuesday, November 30:

Suffrage and Empire

  • Required Readings:
    • Allison Sneider, Suffragists In An Imperial Age, entire book.

Be sure to make arrangements in advance to have this book!

  • Questions to Consider:
    • How did suffragists think about American expansion?
    • What notions of gender did Euro-American women bring to their consideration of questions of empire?
    • How did suffragists use empire to advance their cause?
  • Assignment: Required Posting #10

 

 

Thursday, December 2

“Reunification” of the Suffrage Movement: At What Cost?

 

Tuesday, December 7:

The Twisted History of Reproductive Self Control

  • Required Readings:
    • Emma Goldman, “Woman Suffrage,” on History 213 BlackBoard site
    • Emma Goldman, “The Tragedy of Woman’s Emancipation,” on History 213 BlackBoard site
    • Emma Goldman, “Marriage and Love,” on History 213 BlackBoard site
    • Margaret Sanger, “The Case for Birth Control,” online at http://womenshistory.about.com/library/etext/bl_sanger_1924.htm or at History 213 BlackBoard site
    • Further readings TBA
  • Questions to Consider: TBA
  • Assignment: Required Posting #11

 

Readings: Sanger, Goldman,

 

Thursday, December 9:

Film Showing in Class: Iron Jawed Angels

Tuesday, December 14: Critical Posting of Iron Jawed Angels

 

 

Final Examination for History 213:

You will have the option of completing the exam as a timed take-home to be completed before 9 am on  Monday, December 20, 2010,

Or

Completing your examination during the regularly assigned class period:

Monday December 20, 2010

 9-11 am

 

 

 

Need some dates?  Try Woman Suffrage Timeline, online at http://americancivilwar.com/women/Womens_Suffrage/womens_suffrage_timeline.html

 

 

BlackBoard Postings

BlackBoard postings are intended to help you consolidate your understanding of the reading and prepare yourself for class discussion.  For that reason, postings should be completed no later than 8:30 am before the classes for which they are assigned.  They should be posted to the appropriate BlackBoard forum for the class. Late postings are better than absent postings; postings that appear more than one class after the assigned date will not, however,  help your grade much, although they may help your learning.  The syllabus has (11) required postings listed for the class; you must complete ten (10), but you can complete the additional posting for extra credit.

Your posting is an opportunity to think about the reading, and begin a conversation with your classmates.  What central issues and problems in the readings do you want to discuss in class?  What new perspectives do the readings suggest to you?  What class themes seem to be developed in the readings?  How does the author make her argument?  What seems time-bound about her work? What seems to endure?  You may use one of the “Questions to Consider” as a starting point if this helps you to engage.

A posting should be about 125-250 words in length (for your reference: a double-spaced page of word-processing in a standard 12-point font contains about 250 words).  When you make direct reference to the readings, be sure to include page numbers.  Your writing does not need to be fully formal academic prose, but it should be in full and thoughtful sentences, and it should be free of errors of spelling and grammar.  Your posting may respond to the posting of another student, or it may pose a question that you would like to discuss in class.

I will make every effort to respond to each posting individually, but will not be able to do so before class.  Please feel free to use my office hours to ask about your post, or other questions about the class.

 

Grading

Grading is an art, not a science.  I will give you regular feedback about your performance in class.  I also tend to reward improvement over the course of the semester.  Below is the general grading framework I will use:

 

Postings 30% of final grade
First in-class essay 20% of final grade
Second in-class essay 20% of final grade
Final exam essay 20% of final grade
Class participation 10% of final grade

 

 

Please check online for updates of this syllabus.

 

Any student eligible for and needing academic adjustments or accommodations because of a disability should speak with me no later than Thursday, September 16, 2010 .

 

CL 9/1/2010

Maida Goodwin, Smith, YWCA exhibit

“Abundant Life To All: The YWCA of the USA”

Karen Sanchez-Eppler, Amherst, Transcription Exercise

“Global Valley” is an American Studies introductory course that teaches American Studies methodologies through a study of the local—the valley in question is the Connecticut River Valley—so the assignments are all quite different, material culture analysis of an object, a close reading of a Dickinson poem, digging into census data, contemporary oral history exercises etc….  aimed at first year students.

 

The Amherst College archives hold the papers of the Porter Phelps Huntington family who occupied the same house in Hadley Massachusetts from 1752 to 1958. The house is now a museum, which we visited, and while segments of the enormous family papers collection has been transcribed,  much of it has been little used. This year we focused on the letters Elizabeth Phelps Huntington sent to her 11 adult children in the 1830s and 40s. Each of the thirty students in the class was randomly assigned one of these letters and given the following assignment (they loved it and did a great job and we, the PPH Museum, and the Frost Library hope overtime through this course to build up a bank of transcriptions for this rich collection):

 

Transcription exercise:

 

Type a full transcription of your letter. Do your best and if you feel quite unsure about a reading put the phrase in brackets [what is this?] and if you can’t make some words out at all use ellipses….doing your transcription while a classmate is working on theirs in generally a good plan as sometimes someone else’s eyes can make sense of what you just can’t read. Give this process time and be patient and you will find it gets easier.

 

Now go through your transcript and insert a footnote at all the things you don’t quite understand or think it would be interesting to know more about. Also mark all the proper names (all the specific places and people mentioned). See how far you can get in annotating this letter. To annotate your letter provide in these notes brief bits of background information to explain the words you have marked. If you have put in a footnote about something and cannot find any additional information then write your question in the note (“What was the process for making soap?” “Who is _____, and why was Elizabeth so anxious to please her”  “Here Elizabeth describes herself in the third person is this a usual thing for letter writers to do at this time?”  etc).

 

At the end of the transcription write a page about your experience transcribing and annotating this letter. What did you learn in this process? What insight into Hadley life in this period can you draw from this letter? What connections and differences do you see to other material we have studied this semester? What larger stories about the Connecticut River Valley could this document help you to tell? What feels valuable to you about the kind of evidence this sort of archival material provides, and what are its limitations, what kinds of things can’t it tell?